27 December 2008 @ 02:05 am

I love the art direction of the HP movies. I don't rate the films at all, but I do watch OotP with the sound off and it is just marvellous, like sandwiches and circus posters and happiness and chocolate. I don't think it's very interesting, fannishly speaking, to 'blindly' reproduce the movies' visual interpretation of the Potter world, but I think it's interesting to understand how they've gone about things, and steal their best ideas.

Playbills and Papers

Notice the mixed, slabby fonts and centered text of the playbills, and the cramped newspaper columns that stretch away down ludicrously long pages.

Font Palette

For Potter, I have a palette of about 30 fonts; it comprises some historical book fonts, and a stylised 'archaic' book called Dancing Super Serif, a few blackletters, some Edwardian signage by Paul Lloyd, some Victorian circusy slab serifs, a classic Egyptian with a lovely rounded 'R', a lighter slab serif from HPLOS, and their block display font Headline as well. That, some handwriting fonts, a couple of decorative initials set, and a fifties packaging font that's like a dancing Impact, make up a good palette with which I can build my own Potter world.

I'll do individual posts on these sets eventually, but here's my Potter free font set, drawn from these larger categories.

Display Sans
Sans Thirteen Black by Manfred Klein
Headline (maj.) by HPLHS
Grungey Display
Coperniq (maj.) by Unknown
Dancing Super Serif by Manfred Klein
Poster Types by Manfred Klein
Blackletter
Olde English by Dieter Steffman
Cantebriggia by Paul Lloyd
The Art of Illuminating (min.) by Staffan Vilcans
Book, Historical
IM Fell English Pro by Igino Marini
Late Victorian/ Early Edwardian Signage (maj.)
Bicycle by Daniel Gauthier
by Paul Lloyd
Slab Serif
Cairo by Unknown
Slab Serif (thin) by HPLHS
Round Slab Serif (thin) by Manfred Klein
Circus/Playbill (SS)
Belshaw by Dieter Stefferman
Show Boat (maj.) by David Rakowski
Plastische Plakat Antiqua (maj.) by Dieter Steffman
Handwriting
Henry Morgan Hand by Paul Lloyd
Jane Austen by Pia Frauss
TrashHand (maj.) by Luce Averous
Fifties
Kitty Katt by Dennis Ludlow
Dingbats
WM Designs type ornaments by Karla

Colour Palette

I keep an actual palette of colours in my Photoshop, as a quick reference to start from.

Potter palette

  1. Download Potter.aco to Applications/Adobe Photoshop/Presets/Colour Swatches
  2. In Photoshop, select Windows > Swatches
  3. Click the triangle in the top right of the Swatches window and load (Load Swatches) the Potter swatch from Applications/Adobe Photoshop/Presets/Colour Swatches

Textures

Texture is important in fandesign to get that tactile, noisy realness in an image that makes it alive, concrete, as an object instead of a sterile grouping of pixels on a screen full of same. Even a simple paper texture multiplied over a composition makes a huge difference.

Some stars from the /paper folder in my stock collection:

Brushes

I don't really go in for a lot of the brush sets that are available online; they're often simple stamps that would do much better as stock photographs or shapes, IMO. But I do love David Nagel's brushes and have painstakingly downloaded them allomgmarryme.

But that's for another post; for now, some general brushery—realistic paint, pencils, chalk and ink for signs, schoolbooks, blackboards and so forth:

Five Minute Photoshop

TBA - imeem is playing silly buggers at the minute